The 2018 Les Carmes Haut-Brion was aged in 75% new oak with a touch more matured in foudres. It includes 55% whole bunches. This has a slight confit-like aroma on the nose, plush cranberry and wild strawberry intermingling with cassis and violet; aromatically, this is the more precocious recent vintage. The palate is medium-bodied with sappy red fruit, fine tannins, clean and pure with excellent acidity keeping everything on an even keel towards the finish. The 2018 has a caressing texture and is very persistent. I might quibble and say that I just find the nose a little trop, but the palate is superb. Tasted at the Les Carmes Haut-Brion vertical at the château. (Neal Martin, Vinous, October 2022)
— a year ago
The 2018 Grand Puy Lacoste has a quintessential Pauillac nose of intense black fruit infused with graphite scents, pencil shavings and a very discreet marine influence. It is beautifully defined, less opulent than the 2018 Lynch Bages tasted alongside, yet maybe more complex. The palate is medium-bodied and taut, offering sappy black fruit, gritty tannins and a lot of crushed stone. The focused, graphite-driven finish could only come from this appellation. Superb. A wine to correct those bemoaning that Bordeaux no longer makes "proper Claret." (Neal Martin, Vinous, March 2021)
— 3 years ago
The 2019 Canon-la-Gaffelière is quite punchy and bold on the nose. Blackberry and raspberry fruit, cedar and mint emerge with time. The palate is medium-bodied with rounded tannins, quite plush yet cohesive, fanning out towards the velvety finish with a brush of white pepper on the aftertaste. One of the more approachable Saint-Émilion wines in this vintage. Tasted blind at the Southwold annual tasting. (Neal Martin, Vinous, February 2023) — a year ago
The 1996 Lafite-Rothschild is the strongest wine from the First Growth in that decade. This bottle, served blind and ex-château in Bordeaux, is so precociously backward that I estimate it to be half its age. Blackberry, cedar and graphite are here as usual, though this bottle has even more intensity than the one served at the estate in 2018. The palate is brilliantly balanced with fine tannins and very intense graphite-infused fruit; there's just a touch more fruité on the finish. Superb. (Neal Martin, Vinous, January 2023) — a year ago
The sample of 2019 Pichon-Longueville Comtesse de Lalande sent to me last year was an absolute show-stopper. The bouquet needs a few minutes to open up, delivering intense black fruit, crushed stone and incense with time in the glass. Yes, the nose does remind me of Latour! The medium-bodied palate is endowed with unerring symmetry and poise. This is a powerful, multi-dimensional Pichon-Lalande, extremely precise, very deep and long. The 60% new oak is seamlessly integrated and feels just right. It reminds me of the 1996 in some ways, but with more finesse on the finish. Stunning. 14.12% alcohol (Neal Martin, Vinous, February 2022)
— 2 years ago
The 2019 Calon Ségur lacks the luster of Phélan-Ségur on the nose, though there is good concentration, black fruit commingling with melted tar and pencil box. The palate is medium-bodied with grainy tannins, fresh with pliant tannins, cohering nicely towards the finish that has ample flesh. Lovely texture with a persistent white pepper tinged finish. Not quite achieving the heights just after bottling, yet this Saint-Estèphe is heading in the right direction. Tasted blind at the Southwold annual tasting. (Neal Martin, Vinous, February 2023) — a year ago
The 2018 Cantenac Brown, which I had recently tasted as part of my horizontal, here replicates that performance. Very pure on the nose, perhaps a little more opulence than the previous bottle, this is beautifully defined with subtle tobacco scents percolating through the black fruit. The palate is medium-bodied, harmonious and extra supple with great tension towards the finish. This is quintessential Margaux and a superb wine from winemaker José Sanfins. Tasted at the Cantenac Brown vertical at the château. (Neal Martin, Vinous, October 2022)
— 2 years ago
The 2018 Montrose delivers on the promise that it showed from barrel. I gave this a three-hour decant before broaching, since Montrose is always backward, albeit far less ferociously than even just a decade ago. It offers copious blackberry and blueberry scents on the nose, plus pressed violets and a light estuarine scent that becomes accentuated with time. The palate is medium-bodied with a silky-smooth texture. Finely chiseled tannins frame multilayered black fruit infused with crushed stone, and it has retained that subtle graphite element that lends it a Pauillac-like personality, though less so than out of barrel. This is a beautifully defined Montrose with entrancing symmetry, and it should drink earlier than other recent vintages thanks to a little more pliancy. (Neal Martin, Vinous, March 2021)
— 3 years ago
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The 2019 Clos Fourtet has a stubborn and backward bouquet with sultry black fruit, quite tertiary in style, antique bureau and woodbines. The palate is medium-bodied with succulent blackberry and blueberry fruit, maybe just a little cloying compared to its peers despite the velvety and caressing finish. One for those who like modern Saint-Émilion but it needs serious cellaring time. Tasted blind at the Southwold annual tasting. (Neal Martin, Vinous, February 2023) — a year ago