Emmanuel Rouget
Cros Parantoux Vosne-Romanée 1er Cru Pinot Noir
Vosne-Romanée, Côte de Nuits, Burgundy, France
Emmanuel Rouget 2014 Vosne-Romanée 1er Cru Cros Parantoux
A wine from the nephew of the Wine God (Henri Jayer). This is my first time trying this domaine. In my view, Méo-Camuzet’s Cros Parantoux leans more feminine and delicate, while Emmanuel Rouget’s style is more like “a sea of stars and a sky of galaxies”—more structural, more spirited, with an air of chivalrous boldness.
2014 should be a relatively approachable vintage, but indeed the first glass showed very tight tannins, vibrant and layered acidity, a pronounced herbaceous/green note, earthy minerality, very fresh and natural, with a bright and clean quality. The structure wasn’t broad or massive, but rather deeply intricate, precise, and penetrating.
After 1 hour of aeration, wild strawberry emerged, along with a mineral sense of wet earth after rain in the forest. Floral notes were not yet obvious; I looked forward to its further evolution.
After 2 hours open, the nose was no longer about thick jammy fruit, but a mix of different spices—like scattered starlight in a river of stars: cool, shimmering, accompanied by rose petals, wild strawberries, and the cool limestone minerality. The aromas don’t hit you head‑on but slowly unfold in the nasal cavity like the Milky Way. Once fully opened, I experienced its signature “silver bead of acidity.” The tannins are incredibly fine, like velvet, and the wine floats on the tip of the tongue—not heavy, but like silk gliding across the night sky. That concentrated mineral energy strikes the palate instantly, then dissolves into a long, lingering finish. The aftertaste lasts for tens of seconds, carrying notes of sandalwood, dried tangerine peel, and damp earth.
Half‑drunk, I felt as if I were drifting into a dream beneath the starry river.
Emmanuel Rouget 2014 Vosne-Romanée 1er Cru Cros Parantoux
A wine from the nephew of the Wine God (Henri Jayer). This is my first time trying this domaine. In my view, Méo-Camuzet’s Cros Parantoux leans more feminine and delicate, while Emmanuel Rouget’s style is more like “a sea of stars and a sky of galaxies”—more structural, more spirited, with an air of chivalrous boldness.
2014 should be a relatively approachable vintage, but indeed the first glass showed very tight tannins, vibrant and layered acidity, a pronounced herbaceous/green note, earthy minerality, very fresh and natural, with a bright and clean quality. The structure wasn’t broad or massive, but rather deeply intricate, precise, and penetrating.
After 1 hour of aeration, wild strawberry emerged, along with a mineral sense of wet earth after rain in the forest. Floral notes were not yet obvious; I looked forward to its further evolution.
After 2 hours open, the nose was no longer about thick jammy fruit, but a mix of different spices—like scattered starlight in a river of stars: cool, shimmering, accompanied by rose petals, wild strawberries, and the cool limestone minerality. The aromas don’t hit you head‑on but slowly unfold in the nasal cavity like the Milky Way. Once fully opened, I experienced its signature “silver bead of acidity.” The tannins are incredibly fine, like velvet, and the wine floats on the tip of the tongue—not heavy, but like silk gliding across the night sky. That concentrated mineral energy strikes the palate instantly, then dissolves into a long, lingering finish. The aftertaste lasts for tens of seconds, carrying notes of sandalwood, dried tangerine peel, and damp earth.
Half‑drunk, I felt as if I were drifting into a dream beneath the starry river.
Kyle had this 10 years ago
Kyle had this 10 years ago
Feb 10th, 2017