Shay A

9.6

My last bottle of six purchased back in 2022. I visited the winery in 2023 and was able to taste this from barrel…that was also when they informed me that this cuvée would no longer be made in 750, only en mag. Unsurprisingly, the price (more than) doubled and I was pushed out of the market. Such a bummer because not only is this an outstanding champagne, it is (IMO) the closest you can get to Selosse.

Equal parts Chardonnay, Pinot noir, Pinot meunier; Disgorged December 2019; base 2015 vintage; 6g/l dosage. Opened alongside a Charles Heidsieck “Champagne Charlie”.

Drawn from a perpetual reserve dating back to the mid ‘80s, everything about this cuvée is lees-y, rich, powerful and haunting (in the best way). Aromatically, there is a whiff of fino sherry that exists nowhere else in Champagne aside from the Selosse lineup. More akin to Selosse’s Initial, the sherry aromatic is there to enhance (not dominate) and is mostly a thin vein throughout the wine. There is truffle honey, spiced pear, caramel dipped apple all in a balanced profile that is both aged and fresh at the same time. Honey and orange roasted cashews too at the finish where a kiss of tangy sherry reappears. Immaculate. I desperately wish these were still available in 750s. — a month ago

Daniel Orenstein

9.4

Crisp sweetness / pear and some light spice. 🌞 — 7 years ago

Timmo Rol

9.3

Quakers - sweeter than expected, but beautifully smooth. — 7 years ago

Somm David T

Independent Sommelier/Wine Educator

9.1

On the nose; bright cherries, ripe strawberry & cranberry reduction, black raspberries, raspberries, watermelon near the rhine, mixed orange citrus, oyster shells, baguette crust, understated volcanic minerals, chalk, saline, fresh pink roses and florals. The body is full and a shade gluey. The fruits are ripe, rich and candied/gummy in style. Bright cherries, black cherries ripe strawberry & cranberry reduction, black raspberries, raspberries, watermelon near the rhine, mixed orange citrus spray, saline, seashells, soft grey volcanic minerals, lots of grippy powdery razor sharp chalkiness, baguette crust, fresh pink roses & florals, acidity that is round and well done, understated delicate micro bubbles and a long, well balanced, rich finish. The reason why I prefer the Billecart Salmon, Ruinart & Laurent Perrier over the Bollinger is it’s a little too sweet for me. Photos of; the House of Bollinger, cellar, headstone that marks one of their vineyards and their harvest staff picking perfectly manicured rows. Producer notes and history...Bollinger has roots dating back to 1585 when the Hennequins, one of the Bollinger founding families, owned land in Cramant. Before the Bollinger house was founded in the 18th century, the Villermont family practised wine making, though not under their family name. In 1750, Villermont settled at 16 rue Jules Lobet, which would eventually become the head office for Bollinger. In 1803 Jacques Joseph Placide Bollinger was born in Ellwangen, in the kingdom of Württemberg. In 1822, he moved to Champagne and found work at the house of Muller Ruinart, which no longer exists. Many other Germans came to settle in the Champagne region, including Johann-Josef Krug and the Heidsiecks, who founded a house that would become; Charles Heidsieck, Piper Heidsieck, Veuve Clicquot and others. The Champagne house Renaudin Bollinger was founded in 1829 in Aÿ by Hennequin de Villermont, Paul Levieux Renaudin and Jacques Bollinger. The partners agreed that the Villermont name would not be used on the labels, hence the house name Renaudin Bollinger. Starting when Jacques Bollinger married Charlotte de Villermont, the house has been managed by the Bollinger family. Even though Paul Renaudin passed without an heir to his name, the label did not become solely Bollinger until the 1960s. Founder Jacques Joseph Bollinger married Charlotte de Villermont. The had a daughter, who had two sons Joseph and Georges. These sons took over the company in 1885 and began expanding the family estate by purchasing vineyards in nearby villages. The sons also developed the image of the brand, such as when Bollinger became the official supplier to the British court and received a Royal Warrant in 1884 from Queen Victoria. In 1918, Jacques Bollinger, the son of Georges, took over the company and married Emily Law de Lauriston Boubers, known as "Lily". Jacques expanded the facilities by building new cellars, purchasing the Tauxières vineyards, and acquiring the assets of another Champagne house on Boulevard du Maréchal de Lattre de Tassign, where Bollinger's offices are presently located. When Jacques Bollinger died in 1941, Lily Bollinger took over. Lilly expanded production with the purchase of even more vineyards, but is best known for traveling the world to market the brand. Bollinger was modernized under the Claude d'Hautefeuille, who acquired additional vineyards and further developed the brand internationally. Following Claude, his cousin Christian Bizot took over the Bollinger house and expanded world distribution. Their Winemaker also used several James Bond film movies to market the brand. Bollinger is fermented in oak barrels. At harvest, only the first pressing is used in the cuvée, unless the vintage is of particularly high quality, when a second pressing of Chardonnay will be used. Bollinger sells the second pressing, the tailles. Bollinger utilizes two pressing houses (Louvois and Mareuil sur Aÿ) to ensure a short distance between harvest location and pressing. When possible, grapes purchased from growers are pressed by the house. When the pressed wine arrives, the Bollinger cellar master analyzes the musts for quality, discarding and selling off those that do not meet the house standards. The first fermentation is done cru by cru, variety by variety, preserving many of the unique characteristics of the vines location. Bollinger is one of the few Champagne houses to do some first fermentation in oak barrels. Wines that will not hold up to first fermentation in wood are vinified in vats. Bollinger Champagnes usually undergo malolactic fermentation. The Grande Année 1995 did not undergo malolactic fermentation. Bollinger uses only traditional yeast. They’ve decided that new generations of yeasts (agglomerated yeasts and encapsulated yeasts) do not produce satisfactory Champagne. Vintage wine, including all wine to be used in a Grande Année, is fermented in small oak barrels, sorted according to origin and variety. Both oak and stainless steel are used for non-vintage wine. Bollinger also has the last Cooperage in Champagne. The oak barrels are all at least four years old, avoiding the transfer of tannins to the wine. The wines are only lightly filtered. All Bollinger Champagne spends a long time on its lees, contributing to the complex flavour of the wine. Though appellation d'origine contrôlée rules only require 12 months on lees for non-vintage Champagne and for vintage (NV wines, 15 months from tirage to release and vintage wines must be kept for 36 months from tirage to release), Bollinger ages their non-vintage wines three years, and the vintage wines from five to eight years. The Grande Année and R.D. Champagnes are riddled by hand. At disgorgement, Bollinger wines are given a low dosage, to maintain the balance and flavor of the wine. The company uses 6-9 grams of sugar per liter for the Special Cuvée and La Grande Année. The extra-brut R.D. is dosed between 4 and 5 grams. After dosage, the wines are aged an additional several months, resting for a minimum of three months before shipping. Bollinger owns nearly 160 hectares of vines, producing more than 60% of its supply. The vines are largely Pinot Noir, specifically clone 386. Bollinger believes this clone ensures good quality as well as highlighting characteristics of the various terroirs. The vineyards also include some rare ungrafted French vines from before the phylloxera. Bollinger owns vines all over Champagne, including the crus of Aÿ, Bouzy and Verzenay. — 8 years ago

"Odedi"

9.1

Pale ruby in color with medium intensity.

Dry on the palate with nice complexity.

Medium plus in body with medium acidity.

Showing raspberries, cherries, red currants, earth, red candy, spices, light oak, licorice and chocolates.

This is a delicious Pinot Noir from Burgundy. Elegant and fruity. Smooth and soft.

Nicely balanced and drinks fairly young, for a 6-year-old Pinot.

Modern in style, and feels like a Russian River Valley Pinot. So interesting.

Will continue to age nicely in the next 10 years.

Good by itself as a sipping wine.

13.5% alcohol by volume.

91 points.

$43. — a year ago

Scott@Mister A’s-San Diego

9.3

2020 vintage. @ Mister A's Restaurant-San Diego-Les Caves de St. Charles CDP dinner. Medium-heavy body. Pretty nose. Plenty of richness throughout. 11.16.23. — 3 years ago

Severn G

9.1

2009 | Pinot Noir
Earl Charles Francois et Fils; Les Epenottes 1er Cru
Burgundy; Côte de Beaune, Beaune, France — 3 years ago

Magnus Sjöstrand

9.4

Really good white wine! Fresh and a hint of fruity — 7 years ago

Kunal Nagpal

9.2

Extra brut, truly!! Super tart. Could have kept it for a couple of years more before opening — 7 years ago

Fredybeans

9.0

Robe jaune claire
Nez abricot et floral plein mais délicat et sans exubérance
Bouche ample fraîche et pleine gourmande mais fraiche
Très belle équilibre
— 8 years ago

Severn G

9.3

Confrerie Des Chevaliers du Tastevin Sous-Commanderie d'Albany; 21 January 2018 at Plumb Oyster Bar, Troy, NY (Pauleé) — 8 years ago

Fredybeans

9.2

Rubis fonce. Nez de fruit noire frais tres poivre avec un côté végétal mais mûre.
Attaque fraîche precise bouche qui s élargie et finale ample gourmande sur la myrtille et le poivre. Tres jeune et superbe tenue à l air une mondeuse. Combinant le meilleur de la Syrah et du gamay — 9 years ago

Lauren Taylor Wilkie

9.8

Rachel and johns delicious with cake and soup. Sweet, spicy and smooth. — 2 years ago

Shay A

9.2

I’m in the 91+ territory here, but this is an older NV and the age pushes this up just a touch.

From 375. Easy for my wife and I to enjoy while our two littles run around on NYE.

After the Mousse Fils L’Or d’Eugene rosé from a few days ago, this is totally different. Much more classical versus the unique Mousse. Pale copper colored in the glass. Lots of similarities to Charles Heidsieck’s Brut Reserve rosé with its strawberry shortbread and toasty layers, but the fruit isn’t as layered. Slightly chalk/limestone initially but gives way to Spiced rhubarb, red berries, white peach and an orange marmalade finish (maybe dosage peeking out as well as the age helping channel some depth and richness). — 2 years ago

Jol

9.1

Grains nobles de 1994 soit 28 ans Impressionnant — 4 years ago

Ricardo Bohn Goncalves

9.2

Adi Maria Fronteiras Set20 — 6 years ago

Ned Gray Creed

9.5

Pure. From Mom’s vines. Dufour will be the next bottle of bubbles everyone wants. Coming to the Bay Area soon via Offshore Wines. — 7 years ago

Donald Andersen

9.1

So Swiss wine is pretty great! Wish we saw it back in the states. — 8 years ago

with Lauren

Dan Hess

9.3

Classic Swiss wine with classic Swiss fondue to wrap up 2017. — 9 years ago

with Sarah

Willem Jan Withagen

9.3

Tropics concentrated in a bottle. Nice almond bitters. Sweet wih a nice sour tone. — 10 years ago